![]() It’s 1944, and Yossarian has figured out that “the enemy is anybody who is going to get you killed, no matter which side he’s on”. The OED defines this “Catch-22” as “a difficult situation from which there is no escape, because it involves mutually conflicting or dependent conditions”, which is a very dull way to describe the absurd crux whose mad logic exhilarates every page of one of the greatest war novels of all time.īombardier Yossarian, who is at odds with his own side as much as with the enemy, is an unforgettable second world war Everyman, whose cat-and-mouse relationship with a cast of deranged oddballs – Milo Minderbinder, Major Major and Doc Daneeka – is played out, amid mounting absurdity, on the island of Pianosa in the Mediterranean. This anticipates the notorious conditions under which a combat airman can be grounded: you have to be insane before you’re excused flying combat missions, but if you don’t want to fly any more missions that proves you are not insane. ![]() If neither, then he’s in a Kafkaesque limbo, where he’s at the mercy of fate. Hinting at the famous “catch” of the title, Yossarian can be treated if he’s got jaundice, but discharged if he hasn’t. Bombardier Yossarian is in a military hospital with a pain in his liver that’s not quite jaundice. ![]()
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